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 <meta name="description" content="The French Revolution can be considered an epochal medial event in two ways. First, it resulted from an unprecedented explosion of text, images and oral media &#8211; a democratization of political mass communication which the Revolution, in turn, accelerated. Second, it consisted of a chain of spectacular and sensational key historical events that were communicated throughout Europe by newspapers, translated graphic satires, songs and printed images."><meta name="copyright" content="IEG Mainz">
 
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		<title>The French Revolution as a European Media Event &#8212; EGO </title>
	<meta name="DC.Publisher" content="IEG(http://www.ieg-mainz.de)"><meta name="DC.Title" content="The French Revolution as a European Media Event"><meta name="DC.Source" content="EGO(http://www.ieg-ego.eu)"><meta name="DC.Date.Issued" scheme="DCTERMS.W3CTDF" content="2012-08-27"><meta name="DC.Rights" content="CC by-nc-nd 3.0 Germany - Attribution, Noncommercial, No Derivative Works"><meta name="DC.Description" content="The French Revolution can be considered an epochal medial event in two ways. First, it resulted from an unprecedented explosion of text, images and oral media &#8211; a democratization of political mass communication which the Revolution, in turn, accelerated. Second, it consisted of a chain of spectacular and sensational key historical events that were communicated throughout Europe by newspapers, translated graphic satires, songs and printed images."><meta name="DC.Identifier" scheme="DCTERMS.URI" content="urn:nbn:de:0159-2012082703"><meta name="DC.Type" content="Text" scheme="DCMIType"><meta name="DC.Format" content="text/html" scheme="IMT"><meta name="DC.Publisher" content="IEG(http://www.ieg-mainz.de)"><meta name="generator" content="Plone - http://plone.com"></head>
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	<h1>The French Revolution as a European Media Event</h1>
	<div class="documentByLine" id="document-byline">
 
			von 
			by 
 Rolf Reichardt
		Original aufOriginal in German,
		angezeigt aufdisplayed in <a href="" id="articlelanguage_top">English</a><ul id="avllist"><li><a href="/reichardtr-2010-de">deDeutschGerman</a></li><li><a href="/reichardtr-2010-en">enEnglischEnglish</a></li></ul>&#9662;
 		 
 	
			PublishedErschienen: 
			
				2012-08-27
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 	French Revolution
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 The French Revolution can be considered an epochal medial event in two ways. First, it resulted from an unprecedented explosion of text, images and oral media &#8211; a democratization of political mass communication which the Revolution, in turn, accelerated. Second, it consisted of a chain of spectacular and sensational key historical events that were communicated throughout Europe by newspapers, translated graphic satires, songs and printed images.
 
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 <h2>Media of the Revolution &#8211; Revolution of the Media</h2>
The French Revolution was the largest <a data-class="internal-link" href="https://www.ieg-ego.eu/en/threads/european-media/en/threads/european-media/european-media-events/frank-boesch-european-media-events" rel="noopener" target="_blank">media event</a> since the days of the <a data-class="internal-link" href="https://www.ieg-ego.eu/en/threads/european-media/en/threads/european-media/european-media-events/marcel-nieden-the-wittenberg-reformation-as-a-media-event" rel="noopener" target="_blank">Reformation</a> &#8211; it was a revolution of spontaneous mass movements, rousing speeches and public festivals, but especially a revolution of print media. The pamphlets and newspapers, picture and song prints, posters and medallions multiplied by print were simultaneously the driving force behind, and products of, the incredible events. The alleviation of censorship and the acceptance of citizen participation in politics unleashed an unprecedented flood of political journalism which, although restricted under the Jacobin dictatorship, ultimately lasted until the coup of <a data-class="external-link" href="http://viaf.org/viaf/106964661" rel="noopener" target="_blank">Napoleon Bonaparte (1769&#8211;1821)</a>. Instead of comprehensive books and ornate engravings for the wealthy and educated, the printing industry was now ruled by cheap short-form writings and topical products intended for everyone. Insofar as this type of journalism appealed particularly to the general population and was disseminated in the dense communication network of the 6,000 Jacobin clubs and popular societies across the country, it contributed significantly to mobilizing supporters and opponents of the Revolution and incorporating them into an on-going public debate.<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_0">1</a>
<h2>Pamphleteering</h2>
Among the more than 40,000 prints and pamphlets of the revolutionary period, a number of processes can be observed which were used by all political camps to appeal to the public. Thus the often anonymous, patriotic writers would tend to couch their polemics against the old aristocracy and express their joy over the 'good news' of the Revolution in the familiar guise of the Catholic liturgy. Litany and Magnificat of the Third Estate, Confession of the Sins of Nobility, Gospel of Freedom, The Citizen's Ave and Credo, the Lord's Prayer of the Sans-Culottes: These are just a few of the suggestive titles of the sometimes satirical, sometimes solemn booklets.
Even more overtly didactic were the political catechisms that adapted a standard form of Christian instruction for revolutionary purposes. The most notable of these, as well as the most successful popular book of the Revolution, was the Almanach du P&#232;re G&#233;rard by the former actor <a data-class="external-link" href="http://viaf.org/viaf/51953218" rel="noopener" target="_blank">Jean-Marie Collot d'Herbois (1750&#8211;1796)</a>, which was awarded a prize in competition by the <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/4044660-8" rel="noopener" target="_blank">Paris</a> Jacobin Club in 1791. In a series of conversations, it narrates how the farmer Michel G&#233;rard, the only peasant member of the National Assembly, returns to his home in <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/4008220-9" rel="noopener" target="_blank">Britanny</a> to explain to his fellow villagers the benefits of the new constitution.<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_2">2</a>
The principle of observing the language of the people was taken quite literally, as hundreds of pamphlets placed their arguments in the mouths of well-known figures from the fun fair theatres. In scenic depictions, they made use of the coarse language of the Parisian indoor markets. Their most popular title character was the stove-fitter P&#232;re Duchesne: a straight-talking commoner, whose moustache and pipe smoking in public were as offensive to bourgeois sensibilities as his foul-mouthed "fuck-filled" curses.<a data-class="internal-link" href="https://www.ieg-ego.eu/en/threads/european-media/en/mediainfo/here-lies-louis-the-pretender-1791" title='"Here Lies Louis the Pretender", 1791'><img alt='"Hier ruht Ludwig der Falsche" 1791 IMG' class="image-inline" src="./illustrationen/frz.-revolution-bilderordner/hier-ruht-ludwig-der-falsche-1791/@@images/image/thumb" title='"Hier ruht Ludwig der Falsche" 1791 IMG'></a> Whether he colloquially dressed down King <a data-class="external-link" href="http://viaf.org/viaf/212882453/" rel="noopener" target="_blank" title="Louis XVI of France (1754&#8211;1793)">Louis XVI (1754&#8211;1793)</a> or urged the sans-culottes to take on the fight against the Church's 'new aristocracy', he always knew how to emphasize his radical agitation with dramatic language and symbolism.<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_4">3</a>
<h2>The Press</h2>
Even more than by the prints, the French Revolution was sustained by the explosive growth of the press.<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_6">4</a> Under the sign of the Revolution, newspapers that were once an affair of the elite suddenly developed into a mass medium &#8211; something that is taken for granted today. If the number of political bulletins in <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/4018145-5" rel="noopener" target="_blank">France</a> before the Revolution could be counted on one hand, it soon mushroomed to over three hundred weekly and daily newspapers between July 1789 and 1790. They were typically "one-man newspapers", for the profitable pre-industrial conditions of production (low wages, cheap materials, simple hand presses) still predominated. These papers competed to win the favour of a dramatically growing readership with low prices. Some 1,600 different newspapers were established during the Revolution, many though for only a short time. The highest printruns over several years were achieved by radical revolutionary papers<a data-class="internal-link" href="https://www.ieg-ego.eu/en/threads/european-media/en/mediainfo/the-holy-fire-of-patriotism-1791" title='"The Holy Fire of Patriotism", 1791'><img alt='"Das heilige Feuer des Patriotismus" 1791 IMG' class="image-inline" src="./illustrationen/frz.-revolution-bilderordner/das-heilige-feuer-des-patriotismus-1791/@@images/image/thumb" title='"Das heilige Feuer des Patriotismus" 1791 IMG'></a> like the R&#233;volutions de France under <a data-class="external-link" href="http://viaf.org/viaf/44352592" rel="noopener" target="_blank">Louis-Marie Prudhomme (1752&#8211;1830)</a> and the Annales patriotiques (10,000&#8211;12,000 copies) under <a data-class="external-link" href="http://viaf.org/viaf/71388492" rel="noopener" target="_blank">Jean-Louis Carra (1743&#8211;1793)</a> and <a data-class="external-link" href="http://viaf.org/viaf/36921956" rel="noopener" target="_blank">Louis-S&#233;bastien Mercier (1740&#8211;1814)</a>. The ultra-royalist Ami du Roi founded by the Abb&#233; <a data-class="external-link" href="http://viaf.org/viaf/19787389" rel="noopener" target="_blank">Thomas-Marie Royou (1743&#8211;1792)</a>, however, also had 5,700 subscribers, still twice as many as any journal in Old France. The total daily circulation of the Parisian newspapers alone amounted to 130,000 copies in 1791, reaching the 150,000 mark in 1797. About half of this production was regularly sent to the provinces, forcing the postal service to greatly expand its capacity. The social reach of the new press was considerable, especially since each individual newspaper at the time was commonly received by an average of about ten adult readers, due to collective reading which was common at the time. This meant three million readers or over ten per cent of the population, which in turn was an exceptional impetus to the democratization of political information and opinion.
New journalistic techniques were also incorporated in the revolutionary press, starting with the external aesthetics and mode of public presentation. The unstructured, narrowly printed text columns of the old gazettes gave way to a layout with headlines, editorials and regular categories. This is especially noticeable in the poster newspapers of the Paris Commune. The more radical the paper, the more eye-catching and blatant was the appearance. Hence the headlines in each edition of Ami du Peuple from <a data-class="external-link" href="http://viaf.org/viaf/19680982" rel="noopener" target="_blank">Jean-Paul Marat (1743&#8211;1793)</a> took up a large part of the title page for the hawkers to call them out. In France, newspapers were first sold on the street at the time of the Revolution<a data-class="internal-link" href="https://www.ieg-ego.eu/en/threads/european-media/en/mediainfo/freedom-of-the-press-1796" title='"Freedom of the Press", 1796'><img alt='"Freiheit der Presse", 1796 IMG' class="image-inline" src="./illustrationen/frz.-revolution-bilderordner/freiheit-der-presse-1796-img/@@images/image/thumb" title='"Freiheit der Presse", 1796 IMG'></a>, as the example of the Journal du soir under <a data-class="external-link" href="http://viaf.org/viaf/54093113" rel="noopener" target="_blank">Etienne Feuillant (1768&#8211;1840)</a> confirms: 10,000 copies of the paper were printed up, delivered, and "sung" at night by 180 paperboys on the streets of Paris in 1792.
At the same time, the revolutionary press cultivated a populist style of writing with an emphasis on opinion-based journalism. More than one paper was named P&#232;re Duchesne, most prominently the paper of choice of the Parisian sans-culottes edited by <a data-class="external-link" href="http://viaf.org/viaf/64113449" rel="noopener" target="_blank">Jacques-Ren&#233; H&#233;bert (1757&#8211;1794)</a>.<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_8">5</a><a data-class="external-link" href="http://gallica.bnf.fr/ark:/12148/bpt6k49624m.image.f3" rel="noopener" target="_blank" title='"P&#232;re Duchesne" 1790, BnF, Gallica'><img alt='"Je suis le v&#233;ritable p&#232;re Duchesne", 1790, Digitalisat, BnF, Gallica, http://gallica.bnf.fr/ark:/12148/bpt6k49624m.' class="image-inline" src="./illustrationen/frz.-revolution-bilderordner/pere-duchesne-1790/@@images/image/thumb" title="P&#232;re Duchesne 1790 IMG"></a> To address the farmers, the former Jesuit <a data-class="external-link" href="http://viaf.org/viaf/71400552" rel="noopener" target="_blank">Joseph Cerutti (1738&#8211;1792)</a> founded a special "village newspaper" with his La Feuille villageoise.<a data-class="external-link" href="http://gallica.bnf.fr/ark:/12148/bpt6k566661.image.f2" rel="noopener" target="_blank" title='"La feuille villageoise" 1791, BnF, Gallica'><img alt='"La feuille villageoise", 1 (1791), Digitalisat, BnF, Gallica, http://gallica.bnf.fr/ark:/12148/bpt6k566661.image.f2. ' class="image-inline" src="./illustrationen/frz.-revolution-bilderordner/la-feuille-villageoise-1791/@@images/image/thumb" title="La feuille villageoise 1791 IMG"></a> It was distinguished by its catchy diction and reported on the achievements of the Revolution, highlighting intimate scenes and dialogue. Published from 1790 to 1795, the paper had up to 15,000 subscribers, including many teachers and pastors, the most important cultural mediators in rural settings. Nevertheless, no newspaper of the Revolution appealed as forcefully to the "people" as the Ami du Peuple, headed by the former physician and underground writer Jean-Paul Marat. Marat used this platform every day to speak to the people as if he were addressing his children. He tirelessly scolded their artlessness, urged vigilance, warned of a new "aristocracy" and denounced "conspiracies" that threatened the Revolution. In presenting himself as an effective tribune of the people, Marat embodied the new ideal of the eloquent and socially committed journalist.
<h2>Picture Journalism</h2>
Great quantity, mass appeal and increased presence in public spaces &#8211; these features certainly characterize the non-written <a data-class="internal-link" href="https://www.ieg-ego.eu/en/threads/european-media/en/threads/backgrounds/media-genres/juergen-wilke-media-genres" rel="noopener" target="_blank">media</a> of political communication. They are media of an oral culture of displaying and seeing, speaking and listening, which, although it had been suppressed by the Enlightenment, returned with the Revolution. In April 1796, German freedom pilgrim <a data-class="external-link" href="http://viaf.org/viaf/56743380" rel="noopener" target="_blank">Heinrich Zschokke (1771&#8211;1848)</a> was still able to report from Paris that "B&#252;sten, Kupferstiche, Gem&#228;hlde, Bibliotheken, Possenrei&#223;er, Marionettenspieler, Taschenspieler zeigen sich in allen Stadtgegenden, und haben einen gr&#246;&#223;ern oder kleinern Schwarm von Bewunderern und Tadlern um sich versammelt. Selbst Melodien werden verkauft, und dem Ohre der K&#228;ufer eingezeigt".<span class="InsertNoteMarker" id="InsertNoteID_10_marker11" title=" &quot;Busts, engravings, paintings, libraries, clowns, puppeteers, jugglers show up in all urban areas, and have a larger or smaller throng of admirers and critics gathered around them. Even melodies are sold and presented to the buyers' ears&quot;, transl. by C.R. (Zschokke, Ausz&#252;ge aus Briefen 1796, p. 171)."><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_10">6</a> The ubiquitous wall newspapers, town criers, street singers, itinerant actors and picture dealers no doubt lent the revolutionary communication a certain cheap sensationalism.<a data-class="internal-link" href="https://www.ieg-ego.eu/en/threads/european-media/en/mediainfo/the-little-counter-revolution-1791" title='"The Little Counter-Revolution", 1791'><img alt='"Die kleine Gegenrevolution" 1791 IMG' class="image-inline" src="./illustrationen/frz.-revolution-bilderordner/die-kleine-gegenrevolution-1791/@@images/image/thumb" title='"Die kleine Gegenrevolution" 1791 IMG'></a> Just the same, their methods presented an effective way to mobilize ordinary citizens who were often barely literate. By virtue of their characteristic emotionality, captivating melodies and visual presence, the political songs and graphic satires had a much stronger impact on the collective consciousness than texts and speeches.<span class="InsertNoteMarker" id="InsertNoteID_12_marker13" title=' L&#252;sebrink / Reichardt, "Colporter la R&#233;volution" 1996; Schneider, Der Formen- und Funktionswandel 1988; Mason, Singing the French Revolution 1996; Reichardt, "Macht ein solches Bild nicht einen unausl&#246;schlichen Eindruck?" 2005.'><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_12">7</a>
A brief survey of the revolutionary picture journalism shows that the mass-produced items were largely made by unknown artists and distributed by small printers and publishers. Their roughly coloured sheets reached printings of one to three thousand copies, and frequently this was multiplied by re-prints and pirated copies. In Paris, they were displayed to the general public at the markets, on house walls in the boulevards and under the arcades of the Palais-Royal. In contrast to the established engravers, who preferred mythological subjects and genre scenes, the new image makers used the more rapid and freer etching technique to offer immediate satirical commentary and interpret current events. They gave emblematic expression to deeply symbolic occurrences, political principles and hopes and fears by means of illustrated reports of popular uprisings, caustic imagery directed against the aristocrats, idealised pictures of patriotic unity, heroic images of the Bastille victors and sans-culottes, horrific depictions of the Jacobin dictatorship and ideograms of Libert&#233;, &#201;galit&#233; and the R&#233;publique.<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_14">8</a>
The revolutionary caricatures were especially popular.<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_16">9</a> Impressively, they knew how to politicise the familiar motifs of the iconographic tradition and combine them with original pictorial inventions in summarizing form.<a data-class="internal-link" href="https://www.ieg-ego.eu/en/threads/european-media/en/mediainfo/graphic-satire-with-revolutionary-allegories-1789" title="Graphic Satire with Revolutionary Allegories, 1789"><img alt="Bilderbogen mit revolution&#228;ren Allegorien, kolorierte Radierung, 38 x 27,4 cm, Frankreich, 1789; unbekannter K&#252;nstler; Bildquelle: Prometheus &#8211; Das verteilte Bildarchiv f&#252;r Forschung und Lehre, Lexikon der Revolutions-Ikonographie, Justus-Liebig-Universit&#228;t Gie&#223;en, Historisches Institut, http://prometheus.uni-koeln.de/pandora/image/show/Image-giessen_lri-3251a594843984712862ae94bd6ccb41081a8e94 (kostenpflichtiger Zugang)." class="image-inline" src="./illustrationen/frz.-revolution-bilderordner/bilderbogen-mit-revolutionaeren-allegorien-1789/@@images/image/thumb" title="Bilderbogen mit revolution&#228;ren Allegorien 1789 IMG"></a> Their most popular motifs were copied and compiled on single sheets, effectively miniature galleries for the small budget. The derision expressed in these cartoons was often provocative and, in fact, heightened class tensions. Eye witnesses report how the crowds of curious onlookers, full of sardonic pleasure, would push around the picture dealers' displays to view the latest creations: the liberated peasant who rides triumphantly on the back of his former oppressors; the "patriotic barber" who shaves the clergyman and cuts off the nobleman's pigtail; the representatives of the three estates in the unanimous "forging" of the constitution; the "patriotic arithmetician" who gruesomely works out a mental calculation with severed heads. Accordingly, the conservative journalist Jacques-Marie Boyer-Brun recognized in this satirical imagery "the thermometer of public opinion" and an effective catalyst during the Revolution for mobilizing the "rabble".<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_18">10</a>
<h2>The Revolution's Medial Transfer</h2>
As the writer <a data-class="external-link" href="http://viaf.org/viaf/59125374" rel="noopener" target="_blank">Heinrich Christian Boie (1744&#8211;1806)</a> remarked in December of 1789, it seemed unnecessary to describe the revolutionary events in France "da Deutschland mit Schriften dar&#252;ber bis zum Eckel &#252;berschwemmt [werde]". Nonetheless, to Boie, the resonance of the Revolution around <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/4015701-5" rel="noopener" target="_blank">Europe</a> was quite striking:
<blockquote>Wie ein elektrischer Schlag, der von Paris ausging, wirkte sie auf alle Nationen; bis nach Dalmatien drang dieser Geist. Sogar V&#246;lker, die so abgespant waren, dass sie alle Begriffe von Freiheit verloren zu haben schienen, die R&#246;mer, wurden begeistert, und f&#252;hlten einen Augenblick einen Drang nach einer bessern Lage. Auf kein Land wirkte sie aber st&#228;rker, als auf unser Deutschland. &#8230; Bis in die kleinsten deutschen D&#246;rfer drang dieser Schlag, und bei der Unzufriedenheit, mit der die meisten Menschen in der Welt leben, erregte er Neigung zur Emp&#246;rung. Wenige deutsche Staaten werden gewesen sein, in denen nicht G&#228;hrungen entstanden sind.<span class="InsertNoteMarker" id="InsertNoteID_20_marker21" title=' "Germany had been inundated with enough writings about it to induce nausea [...] Like an electric shock emanating from Paris, it affected every nation, its spirit spreading all the way to Dalmatia. Even a people like the Romans, who were so jaded they seemed to have lost any notion of liberty, were excited and felt an urge for a moment to improve their lot. Nowhere was the impact felt more strongly, however, than in Germany. The shock wave hit even the smallest German villages and, as a result of the discontent most people experienced, induced a tendency to rebel. There were probably few states in Germany where no kind of unrest developed", transl. by C.R. ([Anonymus], Ueber Voltairens Vorhersagung 1789, pp. 636f.)'><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_20">11</a></blockquote>
This assessment is largely true from a media-historical perspective. To be sure, in their broader outlines, the sensational Parisian "journ&#233;es r&#233;volutionnaires" were an exceptional news story everywhere. And with the revolutionary forces gaining ground, revolutionary texts, images and hymns were exported on a large scale since the autumn of 1792, and even more so between 1796 and 1799, from the <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/4075611-7" rel="noopener" target="_blank">Austrian Netherlands</a> and <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/4089892-1" rel="noopener" target="_blank">Brabant</a> to <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/4053881-3" rel="noopener" target="_blank">Switzerland</a> and the <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/4027833-5" rel="noopener" target="_blank">Italian</a> "sister republics". In the <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/4022153-2" rel="noopener" target="_blank">UK</a>, meanwhile, where <a data-class="external-link" href="http://viaf.org/viaf/100173535" rel="noopener" target="_blank" title="Edmund Burke (1729&#8211;1797)">Edmund Burke's (1729&#8211;1797)</a> Reflections on the Revolution in France (1790)<a data-class="external-link" href="http://gallica.bnf.fr/ark:/12148/bpt6k111218p" rel="noopener" target="_blank" title='"Reflections on the revolution in France" 1790, BnF, Gallica'><img alt="Burke, Edmund: Reflections on the revolution in France, London 1790, Digitalisat, BnF, Gallica, http://gallica.bnf.fr/ark:/12148/bpt6k111218p. " class="image-inline" src="./illustrationen/frz.-revolution-bilderordner/reflections-on-the-revolution-in-france-1790/@@images/image/thumb" title="Reflections on the revolution in France 1790 IMG"></a> unleashed an intense prints war<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_1">12</a><a data-class="internal-link" href="https://www.ieg-ego.eu/en/threads/european-media/en/mediainfo/the-knight-of-the-woeful-countenance-1790-1" title='"The Knight of the Woeful Countenance", 1790'><img alt='"The knight of the woeful countenance" 1790 IMG' class="image-inline" src="./illustrationen/frz.-revolution-bilderordner/the-knight-of-the-woeful-countenance-1790/@@images/image/thumb" title='"The knight of the woeful countenance" 1790 IMG'></a> and the French example sparked a large club movement among craftspeople, two dozen newspapers reported in 1789 on the heroism of the assailants of the Bastille and the beheading of Governor <a data-class="external-link" href="http://viaf.org/viaf/76221031" rel="noopener" target="_blank">Bernard-Ren&#233; de Launay (1740&#8211;1789)</a>.<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_3">13</a> Several London theatres also brought depictions of these sensational events to the stage,<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_5">14</a> while the London publisher <a data-class="external-link" href="http://viaf.org/viaf/40260829" rel="noopener" target="_blank">William Holland (1757&#8211;1815)</a> tried to capture the historical moment through allegorical imagery.<a data-class="internal-link" href="https://www.ieg-ego.eu/en/threads/european-media/en/mediainfo/the-overthrow-of-despotism-1789" title='"The Overthrow of Despotism", 1789'><img alt='"Der Sturz des Despotismus" 1789 IMG' class="image-inline" src="./illustrationen/frz.-revolution-bilderordner/der-sturz-des-despotismus-1789/@@images/image/thumb" title='"Der Sturz des Despotismus" 1789 IMG'></a> However, the multi-media transfer of the latest happenings in France and the culture of the Revolution was the most immediate, dense and continuous in the territories of the <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/2035457-5" rel="noopener" target="_blank">Old Empire</a>. The following sketch will therefore focus on the German-speaking countries and the exemplary members of the long chain of events that constitutes the Revolution as a "total event".
<h2>A Message of Freedom in the Name of the Bastille</h2>
While revolutionary politics had attracted increasing attention in Germany since the convening of the Estates-General of France, it did not, however, become an international media event until the Bastille was taken on 14 July 1789. Under the headline "Like Paris, liberty takes France by storm ... General revolution", the lead editorial of the Hamburg Politisches Journal announced unprecedented news:
<blockquote>Die [franz&#246;sische] Nation singt nicht mehr &#8211; wurde vor mehreren Monaten &#8230; in unserem Journale bemerkt. &#8211; Am 12ten Julius fieng die Nation an zu schreyen, und auf ihr Geschrey fielen die Mauern der Bastille ein &#8211; die wohl st&#228;rker waren, als die von Jericho. Unser Zeitalter ist voller Wunder. Die religi&#246;sen haben aufgeh&#246;rt. Es geschehen lauter politische Wunder &#8230; Die Tage vom 12ten bis 15ten Julius geh&#246;ren zu den merkw&#252;rdigsten in der Geschichte des menschlichen Geschlechts.</blockquote>
To rank the shocking developments within the horizon of what might have seemed politically possible, the editor further made use of an illustrative volcano metaphor:
<blockquote>Die Explosion war schnell. Aber das Feuer hatte lange gegl&#252;ht. Die Revolution zu Paris ist im Grunde von altem Datum. Besonders wurde ihr Grund vor 3 Jahren gelegt. Da fieng sie in den K&#246;pfen an, und am 14ten Julius f&#252;hrten sie die H&#228;nde aus.<span class="InsertNoteMarker" id="InsertNoteID_7_marker8" title=" &quot;It was noted several months ago in our journal that the [French] nation is no longer singing. On the 12th of July, the nation began to cry out, its cries causing the walls of the Bastille, which were probably stronger than those of Jericho, to crumble. Our age is full of wonders. The religious ones have ended. Series of political miracles occur... The days from the 12th to the 15th of July belong to the most remarkable in the history of mankind. [...]The explosion was sudden. But the fire had been smouldering for many years. The revolution in Paris in fact has an old origin. Its groundwork was especially laid 3 years earlier. The revolution that started to take root in peoples' minds at that time was then set into motion on the 14th of July&quot;, transl. by C.R. (Schirach, Wie Paris 1789)."><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_7">15</a></blockquote>
Like this Journal under <a data-class="external-link" href="http://viaf.org/viaf/20022461" rel="noopener" target="_blank">Gottlob Benedikt von Schirach (1743&#8211;1804)</a> &#8211; which had 8,000 subscribers and was the most widely read political periodical in German reading societies &#8211; almost all of the two hundred newspapers in the German-speaking world reported on the events of July (with an interval of eight to 14 days) with approval or even enthusiasm.<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_9">16</a> Drawing from the French daily press and other foreign organs such as the Gazette de Leyde<a data-class="external-link" href="https://www.gazettes18e.fr/Gazette_leyde_du_14_04_1789" rel="noopener" target="_blank" title='"Gazette de Leyde" 1789, Univ. de Lyon'><img alt='"Gazette de Leyde" 1789 IMG' class="image-inline" src="./illustrationen/frz.-revolution-bilderordner/gazette-de-leyde-1789/@@images/image/thumb" title='"Gazette de Leyde" 1789 IMG'></a> or the London Chronicle as well as letters from German commercial travellers and "freedom pilgrims" in Paris,<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_11">17</a> they formed a dense communication network by selectively quoting and copying each other. Even though the populist approach of the French revolutionary papers was absent in the German papers, the latter were no less popular among subscribers: from the Augspurgischen Ordinari Postzeitung (circulation: 10,000 copies)<a data-class="external-link" href="http://nbn-resolving.de/urn:nbn:de:bvb:384-susba000019-6" rel="noopener" target="_blank" title='"Augspurgische Ordinari Postzeitung" 1789, UB Augsburg'><img alt='"Augspurgische Ordinari Postzeitung" 1789 IMG' class="image-inline" src="./illustrationen/frz.-revolution-bilderordner/augspurgische-ordinari-postzeitung-1789-img/@@images/image/thumb" title='"Augspurgische Ordinari Postzeitung" 1789 IMG'></a> and the Erlanger Real-Zeitung (18,000 copies) to the Hamburgischen unpartheyischen Correspondenten (circulation: 30,000 copies). Overall, week in and week out, they reached about 3 million readers through group reading and public readings.<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_13">18</a>
The daily press was the quickest, but not the only medium to spread the "good news" of the conquest of the Parisian "Schreckensburg" ("tower of horrors") by the rebellious people. Its effect was enhanced by an abundance of rapidly printed leaflets, mostly German translations of French pamphlets. They gave the events a dimension of historical depth, even if they often drew on older Germanized scandal reports from famous Bastille prisoners, which publicly denounced the state prison in word and image as a "despotisches Schandmal" ("despotic infamy") of the enlightened age and called for its destruction.<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_15">19</a><a data-class="internal-link" href="https://www.ieg-ego.eu/en/threads/european-media/en/mediainfo/live-and-be-free-1793" title='"Live and Be Free", 1793'><img alt='"Seit frey und lebet" 1793 IMG' class="image-inline" src="./illustrationen/frz.-revolution-bilderordner/seit-frey-und-lebet-1793-img/@@images/image/thumb" title='"Seit frey und lebet" 1793 IMG'></a> On 9 August, the enthusiastic "revolutionary tourist" and Brunswick pedagogue <a data-class="external-link" href="http://viaf.org/viaf/97353015" rel="noopener" target="_blank">Joachim Heinrich Campe (1746&#8211;1818)</a> predicted that "the whole of Germany will soon be flooded with Bastille narratives".<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_17">20</a>
In fact, the latest revelations from the looted archives of the Bastille in Paris aroused the general curiosity so much that the respective transmissions competed with each other on the German book market. A few examples can be mentioned here: various translations of the anonymous multi-volume "documentation" La Bastille d&#233;voil&#233;e (1789&#8211;1790) were simultaneously published by the Bayreuth newspaper printing house<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_19">21</a> and Donatius in <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/4036483-5" rel="noopener" target="_blank">L&#252;beck</a>.<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_21">22</a> German versions of the M&#233;moires historiques et authentiques sur la Bastille (1789) attributed to <a data-class="external-link" href="http://viaf.org/viaf/71388492" rel="noopener" target="_blank">Jean-Louis Carra (1743&#8211;1793)</a> were published in <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/4018118-2" rel="noopener" target="_blank">Frankfurt</a> and <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/4035206-7" rel="noopener" target="_blank">Leipzig</a> by Varrentrapp &amp; Wenner,<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_23">23</a> in Leipzig and <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/4066009-6" rel="noopener" target="_blank">Vienna</a> by Jacob&#228;er and Stahel<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_25">24</a> and in <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/4023996-2" rel="noopener" target="_blank">Heidelberg</a> by Pf&#228;hler.<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_27">25</a> The twenty-page excerpt from Remarques historiques sur la Bastille, prepared by the Berlin publisher and journalist <a data-class="external-link" href="http://viaf.org/viaf/63761" rel="noopener" target="_blank">Carl Spener (1749&#8211;1827)</a>, was already published in August 1789 under the concise title of Die Bastille, not only in a special supplement of the Berlinische Nachrichten, the Hannover'schen Magazin and the Kempten Neuesten Weltbegebenheiten, but also in two separate booklets.<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_29">26</a>
Beyond this, the surge of Bastille journalism sparked a veritable mania for collecting among German writers such as <a data-class="external-link" href="http://viaf.org/viaf/19718047" rel="noopener" target="_blank">Christian August Vulpius (1762&#8211;1827)</a> in Frankfurt. In October 1789, the brother-in-law of <a data-class="external-link" href="http://viaf.org/viaf/24602065" rel="noopener" target="_blank">Johann Wolfgang Goethe (1749&#8211;1832)</a> wrote anonymously:
<blockquote>Seit zehn Wochen, sind in Frankreich und England &#252;ber 60 Satiren, 6 St&#252;ck Confessions, 8 St&#252;ck Beschreibungen, 34 Erz&#228;hlungen, 80 Kupferstiche, und etliche tausend Epigrammen mit und ohne Salz, bei Gelegenheit der Zerst&#246;rung der Bastille, der Flucht einiger Gro&#223;en des Reichs, der R&#252;ckkehr Neckers, der allenfalls noch zu erwartenden Ereignisse, etc. etc. erschienen.<span class="InsertNoteMarker" id="InsertNoteID_31_marker32" title=" &quot;In the last ten weeks, there have appeared in France and England over 60 satires, 6 confessions, 8 reports, 34 narratives, 80 engravings and several thousand epigrams with and without teeth on the occasion of the destruction of the Bastille, the escape of a few nobles from the realm, Necker's return, the events that are at least anticipated, etc. etc.&quot;, transl. by C.R. (Vulpius, Scenen in Paris 1790, Sammlung 1, p. 3)."><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_31">27</a></blockquote>
Vulpius was eager to make his collection known to the German public. Yet, as he was unable to translate the abundance of documents, he instead composed them into a loose succession of dramatic events in his Szenen in Paris, w&#228;hrend und nach Zerst&#246;rung der Bastille (Scenes in Paris, during and after the Bastille's demise). The enlightened Neuwied author <a data-class="external-link" href="http://viaf.org/viaf/64345359" rel="noopener" target="_blank">Ludwig Ysenburg von Buri (1747&#8211;1806)</a> went even further than this by working up the Bastille writings into two tragedies for the theatre.<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_33">28</a>
As implied here, it was not sufficient for many contemporaries to simply read about the destruction of the Bastille as a media event. They also wanted to sensuously experience and re-live the occasion with like-minded people. Along with theatre performances, this social need was further met by a series of public celebrations of the first anniversary of the 14th of July in Frankfurt, <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/4021477-1" rel="noopener" target="_blank">G&#246;ttingen</a>, <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/4037446-4" rel="noopener" target="_blank">Marburg</a> and Leipzig. Particular excitement was aroused by the "Freiheitsfest zu Ehren der Franz&#246;sischen Revolution" ("Freedom Festival in Honour of the French Revolution") on the banks of the <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/4014170-6" rel="noopener" target="_blank">Elbe</a>, to which the liberal merchant <a data-class="external-link" href="http://viaf.org/viaf/788505" rel="noopener" target="_blank">Georg Heinrich Sieveking (1751&#8211;1799)</a> also invited the foreigners residing in <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/4023118-5" rel="noopener" target="_blank">Hamburg</a>. From distributing tricolour bands and cockades and odes recited by <a data-class="external-link" href="http://viaf.org/viaf/44312220" rel="noopener" target="_blank">Friedrich Gottlieb Klopstock (1724&#8211;1803)</a> to the collective singing of a composition by the host, <a data-class="external-link" href="http://viaf.org/viaf/34586010" rel="noopener" target="_blank">Christoph Daniel Ebeling (1741&#8211;1817)</a> &#8211; Kantate: Der vierzehnte Julius after melodies from <a data-class="external-link" href="http://viaf.org/viaf/5126950" rel="noopener" target="_blank" title="George Friedrich H&#228;ndel (1685&#8211;1759)">George Friedrich H&#228;ndel's (1685&#8211;1759)</a> Messiah &#8211; and toasts to the "abolition of despotism" in Germany, all media were dedicated to strengthening patriotism following the French model.<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_35">29</a> Thus the Bastille, anchored in the collective social conscience, became an integral part of the culture of remembrance.
Insofar as picture journalism was able to condense what had occurred and give it iconic resonance to a transnational audience, its contribution to the sensory transmission of the media event was no less significant. As observations from those like Campe and Vulpius attest, the popular graphic satires undoubtedly found their way from France into the Old Empire through colporteurs and travellers, providing a range of models for German engravers. Their numerous representations of the Bastille<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_37">30</a> adhered to the Parisian originals as faithfully as their reproductions of complementary motifs. Two typical examples can be highlighted here:
One concerns a fictitious event: the liberation of the so-called Comte de Lorges, an imaginary figure representing numerous ideas. Unlike the seven prisoners freed by the victors at the Bastille on the evening of 14 July &#8211; all counterfeiters or mental patients &#8211; he embodied the ideal of the "freedom martyr". An anonymous Parisian engraving shows him as a bearded old man in a dark prison cell welcoming his liberators, who have just broken through the cell door with torches in hand.<a data-class="internal-link" href="https://www.ieg-ego.eu/en/threads/european-media/en/mediainfo/liberation-of-the-comte-de-lorges-1789" title='"Liberation of the Comte de Lorges", 1789'><img alt='"Befreiung des Comtes de Lorges" 1789 IMG' class="image-inline" src="./illustrationen/frz.-revolution-bilderordner/befreiung-des-comtes-de-lorges-1789-img/@@images/image/thumb" title='"Befreiung des Comtes de Lorges" 1789 IMG'></a> An inverted, slightly enlarged copy of this fantasy image served as the frontispiece of the first revolution story of a German eyewitness. It was distributed by the Berlin publisher <a data-class="external-link" href="http://viaf.org/viaf/37718184" rel="noopener" target="_blank">Friedrich Vieweg (1761&#8211;1835)</a> just in time for the Easter mass in 1790.<a data-class="internal-link" href="https://www.ieg-ego.eu/en/threads/european-media/en/mediainfo/liberation-of-a-bastille-prisoner-1790" title="Liberation of a Bastille Prisoner, 1790"><img alt="Befreiung eines Bastilleh&#228;ftlings, Kupferstich, Deutschland, 1790, unbekannter K&#252;nstler; Bildquelle: Schulz, Friedrich: Geschichte der gro&#223;en Revolution, Berlin: Vieweg 1790 [Titelvignette]; Privatbesitz." class="image-inline" src="./illustrationen/frz.-revolution-bilderordner/befreiung-eines-bastillehaeftlings-1790-img/@@images/image/thumb" title="Befreiung eines Bastilleh&#228;ftlings 1790 IMG"></a> The author was <a data-class="external-link" href="http://viaf.org/viaf/35447" rel="noopener" target="_blank">Friedrich Schulz (1762&#8211;1798)</a>. After Schulz had made his way from Leipzig to Paris in May 1789 to conduct some literary research, the events surrounding the storming of the Bastille took him by surprise. He described the liberation of a prisoner using the same language some French newspapers and prints employed to report on the Comte de Lorges:
<blockquote>Er streckte beide H&#228;nde nach ihnen [seinen Befreiern] aus und flehete, da&#223; man seine Qual nur kurz machen m&#246;chte. Ein Grenadier rief ihm zu: "F&#252;rchten Sie nichts, guter Alter, wir wollen Sie nicht umbringen, sondern retten! Ihr Henker ist tot. Sie sollen leben." Er trug ihn auf den Armen heraus. Die freie Luft machte ihn anfangs ohnm&#228;chtig, als er aber wieder zu sich selbst kam, lachte, fragte und sprach er wie ein Kind. Er war seit drei&#223;ig Jahren eingekerkert gewesen.<span class="InsertNoteMarker" id="InsertNoteID_22_marker23" title=" &quot;He stretched both of his hands to them [his liberators], and implored them to make his suffering brief. A grenadier called out to him: 'Fear nothing, good man, we do not want to kill you. We want to save you. Your executioner is dead. You shall live.' The grenadier carried him out in his arms. The open air made him faint at first, but when he came to himself again, he laughed, asked questions and spoke like a child. He had been imprisoned for thirty years&quot;, transl. by C.R. (Schulz, Geschichte der gro&#223;en Revolution 1989, p. 97f. [emphasis in the original]). See L&#252;sebrink/Reichardt, Die Bastille 1990, pp. 122&#8211;128."><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_22">31</a></blockquote>
The other example is the razing of the Bastille &#8211; a spectacle of weighty symbolism that attracted tens of thousands of onlookers for months on end and was portrayed in numerous prints, fashionable articles and medallions.<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_24">32</a> Its depiction was particularly impressive in a colour etching published in several versions by the <a data-class="external-link" href="http://catalogue.bnf.fr/ark:/12148/cb14954846s/PUBLIC" rel="noopener" target="_blank" title="Artist family Le Champion, BnF">brothers Le Campion</a><a data-class="internal-link" href="https://www.ieg-ego.eu/en/threads/european-media/en/mediainfo/destruction-of-the-bastille-1789" title='"Destruction of the Bastille", 1789'>[<img alt='"Zerst&#246;rung der Bastille" 1789 IMG' class="image-inline" src="./illustrationen/frz.-revolution-bilderordner/zerstoerung-der-bastille-1789-img/@@images/image/thumb" title='"Zerst&#246;rung der Bastille" 1789 IMG'>]</a>. The Augsburg image maker <a data-class="external-link" href="http://viaf.org/viaf/49628733" rel="noopener" target="_blank">Johann Martin Will (1727&#8211;1806)</a>, who had already marketed French media events before the Revolution, immediately put out an engraved reproduction.<a data-class="internal-link" href="https://www.ieg-ego.eu/en/threads/european-media/en/mediainfo/victory-of-the-bastille-1789" title='"Victory of the Bastille", 1789'><img alt='"Sieg von der Bastille&#8230;" 1789 IMG' class="image-inline" src="./illustrationen/frz.-revolution-bilderordner/sieg-von-der-bastille...-1789-img/@@images/image/thumb" title='"Sieg von der Bastille&#8230;" 1789 IMG'></a> He presented an eye-catching depiction of what the reports of the German press such as the Erlanger Real-Zeitung of 31&#160;July 1789 were simultaneously portraying:
<blockquote>So str&#246;mt alles in die Strasse St. Antoine hin, um den bezaubernden Anblick der Niederreissung der so gef&#252;rchteten Bastille, darin so mancher Unschuldige das Opfer von Privatabsicht und Rachsucht wurde, zu geniessen, woran seit Morgens 3 Uhr vom 16ten 2000 Handwerksleute arbeiten, die mit ihrer Arbeit zum gr&#246;&#223;ten Unwillen des Publikums nicht schnell genug fertig werden k&#246;nnen; und w&#228;hrend da&#223; Ludwig XVI. am einen Ende in die Stadt Paris kam, verst&#228;rkte man am andern mit 500 Mann die Zahl der Arbeiter, die dieses verha&#223;te Monument des Despotismus niederreissen. So oft ein Stein herunterst&#252;rzt, klopft das Volk in die H&#228;nde, und schreit aus vollem Halse: bravo, frisch dran! Macht geschwind, wir werden euch bar bezahlen; und Erfrischungen werden den Arbeitern in Menge gebracht.<span class="InsertNoteMarker" id="InsertNoteID_42_marker43" title=" &#8222;Everyone thus flocked to the street St. Antoine to enjoy the enthralling sight of the destruction of the dreaded Bastille, where so many innocent people had been victimized by private vendettas and the thirst for revenge. Although 2,000 craftsmen started work at 3 o'clock in the morning on the 16th, as far as the public were concerned, they couldn't complete it fast enough. And as just Louis XVI entered Paris at one end of the city, the number of workers engaged in tearing down this odious monument of despotism was increased by 500 men. Whenever a stone falls, the people clap their hands, and cry out loud: bravo, and now another one! Work quickly, we'll pay you cash; and the workers are offered lots of refreshments&#8221;, transl. by C.R. (Erlanger Real-Zeitung, July 31, 1789).]"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_42">33</a></blockquote>
The stone blocks being dragged around in the foreground of both pictures are a significant detail, for the revolutionary tourists had a tendency to take Bastille stones along with them as souvenirs and, as the patriotic song writer and journalist <a data-class="external-link" href="http://viaf.org/viaf/76335466" rel="noopener" target="_blank">Christian Friedrich Daniel Schubart (1739&#8211;1791)</a><a data-class="internal-link" href="https://www.ieg-ego.eu/en/threads/european-media/en/mediainfo/christian-friedrich-daniel-schubart-173920131791" title="Christian Friedrich Daniel Schubart (1739&#8211;1791)">[<img alt="Portrait Christian Friedrich Daniel Schubart, Kupferstich, Deutschland, 1791, Ant[on] Karcher (1760&#8211;1842) nach einer Zeichnung von Lohbauer, Photographie: Hans-Peter Haack; Quelle: Schubart, Christian Friedrich Daniel: Leben und Gesinnungen: Von ihm selbst im Kerker aufgesezt, Stuttgart 1791, vol. 1, Frontispiz, wikimedia commons, http://commons.wikimedia.org/wiki/File:Schubart_leben_und_gesinnungen_1791.jpg?uselang=de, gemeinfrei" class="image-inline" src="./illustrationen/amerikanische-revolution-bilderordner/schubart-test-img/@@images/image/thumb" title="Christian Friedrich Daniel Schubart (1739&#8211;1791) IMG">]</a> observed, to give them away. When he received such a "relic" from Paris, he dedicated the exuberant verses from Auf eine Bastillentr&#252;mmer von der Kerkert&#252;re Voltaires (To a Piece of Bastille Remains from Voltaire's Prison Door) in his Vaterlandschronik to it:
<blockquote>Thank you, my friend, from the bottom of my heart For the relic of the dreadful Bastille, Which the free citizens' strong hands threw crushed as debris and sand.<span class="InsertNoteMarker" id="InsertNoteID_26_marker27" title=' Cited after Schubart, Werke 1959, p. 327. Schubert first published the three-verse poem in his Vaterlandschronik no. 69 from autumn 1789 and later added to the title: "die dem Verfasser von Paris geschickt wurde" ("which was sent to the author from Paris").'><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_26">34</a></blockquote>
<h2>Between Jacobinism and "Regicide"</h2>
All of this was the beginning of an on-going medial Franco-German "revolutionary transfer", which the sovereigns' censorship measures could hinder, but not prevent. The evidence of broad cross-border communications &#8211; be they verbal, written or visual &#8211; ranges from wearing tricolour cockades during popular unrest in the territories on the left bank of the Rhine (1789/1790) to the rebellious peasants of <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/4051176-5" rel="noopener" target="_blank">Saxony</a> citing the French news stories in the press (summer 1790) and the planting of liberty trees in fifty locations between <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/1027761-4" rel="noopener" target="_blank">Bingen</a> and <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/2004296-6" rel="noopener" target="_blank">Bergzabern</a> (1792/1793).<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_28">35</a>
a) The communication processes underlying such social movements can be identified as having taken hold in the Republic of <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/4037124-4" rel="noopener" target="_blank">Mainz</a> from 1792/1793.<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_30">36</a> Under the auspices of the French occupation overseen by General <a data-class="external-link" href="http://viaf.org/viaf/68951502" rel="noopener" target="_blank">Adam-Philippe de Custine (1740&#8211;1793)</a>, a rudimentary democratic culture developed here for a short period. The 500 member strong Mainz Jacobin Club not only corresponded with the "parent organisation" in Paris, but also with a dozen other clubs in the French provinces. The Jacobins of Strasbourg sent a delegation of German-speaking members to Mainz to help organize an authentic revolutionary mission. At this time, the lawyer <a data-class="external-link" href="http://viaf.org/viaf/68983974" rel="noopener" target="_blank">Frederick Christopher Cotta (1758&#8211;1838)</a> played an especially prominent role: his folksy summary of the French Constitution was systematically distributed in 9,500 copies, partly in poster, partly in booklet form. And, with his Handwerker- und Bauernkalender des alten Vaters Gerhard (Craftsmen and Farmers' Almanac of Old Father Gerhard), he was able to congenially transmit the successful popular writings of Collot d'Herbois, which he skilfully enriched with local Palatine colour.<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_32">37</a>
At any rate, within a few weeks a substantial as well as intensive revolutionary journalism evolved, consisting in two-column printed posters in the German and French languages, popular teachings on the new democratic principles, anti-aristocratic pamphlets and, above all, a dedicated political press.<span class="InsertNoteMarker" id="InsertNoteID_34_marker35" title=' Behrens, Die Schriften der Mainzer Jakobiner 1994; Reichardt, Franz&#246;sische Revolutionskultur 1993; idem, "Im Namen der Frankenrepublik" 1994.'><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_34">38</a> Just how closely this press was tied to the revolutionary media in France can be ascertained from the speeches and writings of <a data-class="external-link" href="http://viaf.org/viaf/59389169" rel="noopener" target="_blank">Georg Forster (1754&#8211;1794)</a><a data-class="internal-link" href="https://www.ieg-ego.eu/en/threads/european-media/en/mediainfo/johann-reinhold-172920131798-and-georg-forster-175420131794-on-tahiti" title="Johann Reinhold (1729&#8211;1798) and Georg Forster (1754&#8211;1794) on Tahiti">[<img alt="John Francis Rigaud (1742&#8211;1810), Johann Reinhold und Georg Forster in Tahiti, o. J. [zwischen 1775&#8211;1780]; Bildquelle: Privatbesitz [wikimedia commons, http://commons.wikimedia.org/wiki/File:Forsterundsohn.jpg?uselang=de.]" class="image-inline" src="./illustrationen/anglophilie-bilderordner/johann-reinhold-172920131798-und-georg-forster-175420131794-in-tahiti/@@images/image/thumb" title="Johann Reinhold (1729&#8211;1798) und Georg Forster (1754&#8211;1794) in Tahiti">]</a>. Determined to import to Germany the new patriotic enthusiasm of the French, which he had witnessed first-hand in July of 1790 at the Champ de Mars in Paris, Forster founded a daily newspaper that clearly found inspiration in Marat's Ami du Peuple, the Neue Mainzer Zeitung oder der Volksfreund. In addition to translations of French revolutionary texts, he regularly published the latest news from the National Convention in Paris and the trial of Louis XVI, examples of patriotic sacrifice and reports on freedom movements throughout Europe.<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_36">39</a>
As a result of its democratic culture following the French model, the Republic of Mainz became itself a media event in Germany, and indeed it was &#8211; from the perspective of the conservative majority &#8211; an example of frightful "revolutionary anarchy".<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_38">40</a> This was all the more true as the initial enthusiastic reception in the Old Empire of the news from Paris mainly turned to condemnation in the course of France's political radicalization. Of course, this tended to increase, rather than minimize, the "fascination of the terrible". In contrast to the absolutely vast amount of text journalism, it is easier to notice with the graphic satire how the French revolutionary media became anti-revolutionary instruments when transferred to German-speaking lands between 1792 and 1794. This tendency is even more clearly observable in the political cartoons and allegorical prints of the period than in those images merely depicting events.<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_40">41</a>
b) The startling news of Louis XVI's beheading on 21 January 1793 &#8211; the "bloodiest disgrace of our century"<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_39">42</a> &#8211; was disseminated, for example, throughout Europe by means of numerous event etchings, most showing similar details beneath a descriptive heading. Surrounded by a military cordon and a gaping crowd, the executioner is standing next to the guillotine, staging the lightning-fast execution by holding the former king's severed head up by the hair and showing it to all the bystanders.<span class="InsertNoteMarker" id="InsertNoteID_41_marker42" title=' Arasse / Rousseau-Lagarde, La Guillotine 1988; Wagner, Die Rezeption des "K&#246;nigsmordes" 1997; Pelzer, Die Wiederkehr des girondistischen Helden 1998, pp. 161&#8211;170.'><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_41">43</a>
By zooming in on this gesture, the Parisian engraver Villeneuve brought the aesthetics of suddenness and horror associated with guillotining to a climax.<a data-class="internal-link" href="https://www.ieg-ego.eu/en/threads/european-media/en/mediainfo/a-lesson-for-the-crowned-imposters-1793" title='"A Lesson for the Crowned Imposters", 1793'><img alt='"Den gekr&#246;nten Gauklern zur Lehre" 1793 IMG' class="image-inline" src="./illustrationen/frz.-revolution-bilderordner/den-gekroenten-gauklern-zur-lehre-1793/@@images/image/thumb" title='"Den gekr&#246;nten Gauklern zur Lehre" 1793 IMG'></a> Along with the undistorted, rather regally illustrated head of the king, the naturalism of the neck wound and the blood dripping from it shocked the viewers. Since the avenging arm of the executioner was detached from its relationship to a specific individual, additional mythological and religious associations were brought to mind, such as Perseus and the head of Medusa or Salome and the head of John the Baptist. The Phrygian cap and the plumb line in the cartouche emphasize that the king was beheaded in the name of freedom and equality. The writing in the picture also plays its part: the caption warns, "A lesson to crowned imposters", and, quoted below, is the mocking final verse of the Marseillaise<a data-class="external-link" href="https://web.archive.org/web/20041019003343/http://www.navyband.navy.mil/anthems/ANTHEMS/France.mp3" rel="noopener" target="_blank" title='"La Marseillaise", United States Navy Band'><img alt="audio.jpg" class="image-inline" src="./https://www.ieg-ego.eu/audioquellen/audio/@@images/image/thumb" title="audio.jpg"></a><a data-class="external-link" href="http://gallica.bnf.fr/ark:/12148/btv1b84117232.%20%22%20class=%22image-inline%22%20src=" rel="noopener" target="_blank" title="Marseillaise, BnF, Gallica">[<img alt="Marche des Marseillois chant&#233;e sur diferans theatres..., London 1792, Digitalisat, BnF, Gallica, http://gallica.bnf.fr/ark:/12148/btv1b84117232. " class="image-inline" src="./illustrationen/frz.-revolution-bilderordner/marche-des-marseillois-1792/@@images/image/thumb" title="Marche des Marseillois 1792 IMG">]</a> "may the impure blood fertilize our furrows". The image legend also cites from a newspaper article by <a data-class="external-link" href="http://viaf.org/viaf/89401473" rel="noopener" target="_blank">Maximilien de Robespierre (1758&#8211;1794)</a>, who had praised the guillotining of the king as a "great act of justice" in the name of "destroying superstitious royalism".<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_43">44</a> The bookseller <a data-class="external-link" href="http://viaf.org/viaf/24949532" rel="noopener" target="_blank">Johann Georg Bullmann (1740&#8211;1811)</a> commissioned a reproduction of this suggestive tableau with the engraver Boll in <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/4003614-5" rel="noopener" target="_blank">Augsburg</a>, an influential centre of popular prints. However, the censor only authorized it for publication and sale after the cartouche had been removed and the inscriptions had been changed.<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_45">45</a><a data-class="internal-link" href="https://www.ieg-ego.eu/en/threads/european-media/en/mediainfo/true-depiction-of-the-innocent-king-1793" title='"True Depiction of the Innocent King", 1793'><img alt='"Wahre Abbildung des unschuldigen K&#246;nigs&#8230;" 1793 IMG' class="image-inline" src="./illustrationen/frz.-revolution-bilderordner/wahre-abbildung-des-unschuldigen-koenigs...-1793-img/@@images/image/thumb" title='"Wahre Abbildung des unschuldigen K&#246;nigs&#8230;" 1793 IMG'></a> The threatening title of the prototype was altered into a sobering statement: "Wahre Abbildung des Unschuldigen K&#246;nigs Ludwig XVI, der den 21. J&#228;nner 1793 durch die Guillotine &#246;ffentlich unter Anschauung vieler tausenten Enthauptet worden ist." ("The true image of the innocent King Louis XVI who was publicly beheaded by guillotine before many thousands of onlookers on 21 January 1793.") The image's new legend moralizingly entreats the viewer to mourn: "Mensch wen bey diesem Bild, dein Aug nicht Tr&#228;nen stand, / Dan bis du h&#228;rter noch, als selbst die Henkershand." ("Lo, if your eye does not tear when looking upon this image/then you have even less feeling than the hand of the executioner.") Thus, despite the same representation of the head, the new writings allowed the revolutionary shaming image to be transformed into a picture of counter-revolutionary martyrdom.
c) The above-mentioned examples were part of an extensive general transfer of the Revolution as a media event, specifically communicated via an enormous array of German translations of French texts. The journalist <a data-class="external-link" href="http://viaf.org/viaf/44379490" rel="noopener" target="_blank">Johann Wilhelm von Archenholtz (1743&#8211;1812)</a><a data-class="internal-link" href="https://www.ieg-ego.eu/en/threads/european-media/en/mediainfo/johann-wilhelm-von-archenholtz-174320131812-en" title="Johann Wilhelm von Archenholtz (1743&#8211;1812)">[<img alt="Hugo B&#252;rkner (1818&#8211;1897), Portrait Johann Wilhelm von Archenholz (1743&#8211;1812), Stich, 1854; Bildquelle: Bechstein, Ludwig: Zweihundert deutsche M&#228;nner in Bildnissen und Lebensbeschreibungen, Leipzig 1854, wikimedia commons, http://commons.wikimedia.org/wiki/File:Johann_wilhelm_von_archenholz.jpg, gemeinfrei." class="image-inline" src="./illustrationen/anfaenge-des-sports-bilderordner/johann-wilhelm-von-archenholz-174120131812-img/@@images/image/thumb" title="Johann Wilhelm von Archenholtz (1743&#8211;1812) IMG">]</a>, who had moved from <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/4005728-8" rel="noopener" target="_blank">Berlin</a> to Paris and, finally, to the censor-free town of <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/4085080-8" rel="noopener" target="_blank">Altona</a> near Hamburg, insightfully noted:
<blockquote>Die Begierde deutscher Schriftsteller und Buchh&#228;ndler, ausl&#228;ndische Schriften zu verdeutschen, &#8230; ist in Hinsicht Frankreichs jetzt aufs H&#246;chste gestiegen. Die dortigen gro&#223;en immer fortdauernden Ereignisse, die in Paris auferstandene Pre&#223;freyheit, und der Umstand, da&#223; diese franz&#246;sischen litterarischen Producte nicht B&#252;cher, sondern fast alle Brosch&#252;ren und kleine Tagebl&#228;tter sind, ermuntern manchen Verlager&#252;stigen Mann zu dieser Jagd, die er bey starken B&#252;chern und Werken vielleicht unterlassen w&#252;rde.<span class="InsertNoteMarker" id="InsertNoteID_47_marker48" title=' "The desire of German writers and booksellers to Germanize foreign journals ... has now reached a peak with respect to France. The great, always persistent events there, the resurrected press freedoms in Paris and the fact that the French literary productions are not books, but almost completely brochures and small dailies, encourage some game publishers to take up this hunt, which they would perhaps avoid in the case of entire books and other works", transl. by C.R. (Archenholtz, Worte 1795, p. 562).'><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_47">46</a></blockquote>
In fact, during the decade of the Revolution &#8211; the translations in the daily press not included &#8211; some 1,900 political texts on current events from France were published in German, almost half of which were small prints and graphic satires.<span class="InsertNoteMarker" id="InsertNoteID_49_marker50" title=' Reichardt, "Freym&#252;thigkeit, doch kein Sans-C&#252;lotismus..." 1988; Pelzer, Die Wiederkehr des girondistischen Helden 1998, pp. 141&#8211;161 and 327&#8211;486.'><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_49">47</a> Insofar as these transfers were specifically launched by a translation office for the French government or by the Jacobin press in <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/4014500-1" rel="noopener" target="_blank">Alsace</a>, they pursued primarily propagandistic aims.<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_51">48</a> In most cases, however, they were largely a commercial product that was guided by the audience's current main interests. To satisfy their curiosity about spectacular events like the September Massacres (1792), the siege of the Tuileries (1792) or the fall of Robespierre (1794), the magazine &#8211; such as Archenholtz ' Minerva,<a data-class="external-link" href="http://www.ub.uni-bielefeld.de/diglib/aufkl/minerva/minerva.htm" rel="noopener" target="_blank" title='"Minerva" 1792, UB Bielefeld'><img alt='"Minerva" 1792 IMG' class="image-inline" src="./illustrationen/frz.-revolution-bilderordner/minerva-1792/@@images/image/thumb" title='"Minerva" 1792 IMG'></a> delivered monthly to 3,000 subscribers &#8211; was the preferred medium.
The Zurich physician Paul Usteri (1768&#8211;1831) was especially systematic in his approach. As an avid collector and reader of French revolutionary journalism, he planned to compile and provide translations of it for German readers in a "Bibliothek der freien Franken" ("library of the free Franks"). In order to avoid public exposure, he set up a "translation workshop" for the Mainz writer <a data-class="external-link" href="http://viaf.org/viaf/39410123" rel="noopener" target="_blank">Ludwig Ferdinand Huber (1764&#8211;1804)</a><a data-class="internal-link" href="https://www.ieg-ego.eu/en/threads/european-media/en/mediainfo/ludwig-ferdinand-huber-176420131804-en" title="Ludwig Ferdinand Huber (1764&#8211;1804)">[<img alt="Dora Stock (1759&#8211;1832), Portrait Ludwig Ferdinand Huber (1764&#8211;1804), Silberstiftzeichnung, 1784, Bildquelle: Piana, Theo: Friedrich Schiller, Weimar 1957, wikimedia commons, http://commons.wikimedia.org/wiki/File:Dora_Stock_-_Ludwig_Ferdinand_Huber.jpg?uselang=de, gemeinfrei." class="image-inline" src="./illustrationen/frz.-revolution-bilderordner/ludwig-ferdinand-huber-176420131804-img/@@images/image/thumb" title="Ludwig Ferdinand Huber (1764&#8211;1804) IMG">]</a>, who had fled across the border to the Swiss village of <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/4688766-0" rel="noopener" target="_blank">B&#244;le</a>, and had the Germanized texts put into print by the Leipzig publisher <a data-class="external-link" href="http://viaf.org/viaf/71634490" rel="noopener" target="_blank">Peter Philip Wolf (1761&#8211;1808)</a>. They supplied the materials themselves to the volumes of Beytr&#228;ge zur Geschichte der franz&#246;sischen Revolution (1795/1796), specially created for this purpose, and to the journals Humaniora (1796&#8211;1797), Klio and Neue Klio (1795&#8211;1798).
This "revolutionary library" was representative of the media at the time for three reasons. On the one hand, due to the massive size of the undertaking and its use of fifty printing locations distributed throughout German-speaking lands, the library bears witness to a broad and sustained media response to the French Revolution. Leipzig in particular towered over all other printing centres, followed by Hamburg, Berlin, Frankfurt, <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/4057878-1" rel="noopener" target="_blank">Strasbourg</a> and Vienna. A prominent mediating role was also played by bookstores oriented towards France like Decker in <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/4004617-5" rel="noopener" target="_blank">Basel</a>, Fontaine in <a itemprop="url" class="external-geo-link" data-class="external-geo-link" href="http://d-nb.info/gnd/4037372-1" rel="noopener" target="_blank">Mannheim</a>, Hoffmann in Hamburg and Dyck in Leipzig.<a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_53">49</a> On the other hand, though, this extensive medial transmission of the French Revolution was selective and thus characteristic of the limited receptiveness on the German side, as it preferred moderate, more "liberal" texts but had little interest in radical "plebeian" revolutionary journalism. Lastly, it served as a structure-forming catalyst in that it continually politicised and accelerated the flow of news from France to Germany,<a data-class="internal-link" href="https://www.ieg-ego.eu/en/threads/european-media/en/mediainfo/french-german-translation-library-from-1770-to-1815-all-titles-over-time-a-media-political-long-term-effect-study-of-the-french-revolution" title="French-German Translation Library 1770&#8211;1815"><img alt='Hans-J&#252;rgen L&#252;sebrink / Rolf Reichardt, Graphik, Franz&#246;sisch-deutsche &#220;bersetzungsbibliothek 1770&#8211;1815: Themenbereich "Politik" im Zweitverlauf.' class="image-inline" src="./illustrationen/frz.-revolution-bilderordner/medial-politischer-langzeiteffekt-der-frz.-revolution-img/@@images/image/thumb" title="Ein medial-politischer Langzeiteffekt der Frz. Revolution IMG"></a> as the journalist Archenholtz once again aptly observed:
<blockquote>Eine von den vielen Folgen, die die franz&#246;sische Revolution f&#252;r Deutschland gehabt hat, ist die gro&#223;e Menge neuentstandener politischer Schriftsteller, Blattschreiber, und Buchmacher, die aus Zeitungsbl&#228;ttern (sollten es auch die elendesten im s&#252;dlichen Deutschlande seyn) ihre Kenntnisse sch&#246;pfen, und dann sogleich die Feder in die Hand nehmen, um ihre Urtheile &#252;ber die gro&#223;en Begebenheiten des Tages, der Welt mitzutheilen.<span class="InsertNoteMarker" id="InsertNoteID_55_marker56" title=' "One of the many consequences that the French Revolution has had in Germany is the large amount of newly emerged political pundits, page printers and bookmakers, who draw upon the knowledge of newspapers (even the most deplorable ones from southern Germany), and then immediately take pen in hand in order to communicate their opinions about the great events of the day to the world", transl. by C.R. (Archenholtz, Deutschland 1794, p. 163).'><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_55">50</a></blockquote>
<a data-class="external-link" href="http://viaf.org/viaf/108690802/" rel="noopener" target="_blank" title="Rolf Reichardt">Rolf Reichardt</a>
</div> <h2>Appendix</h2>
<h3>Sources</h3>
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Anonymus: Merkw&#252;rdige in dem Archive der Bastille wirklich gefundene Inquisitions-Akten, Protokolle und andere wichtige Papiere: Ein Beytrag zur Geschichtkunde und Menschenkenntni&#223;, Heidelberg 1790, online: <a data-class="external-link" href="http://resolver.sub.uni-goettingen.de/purl?PPN626808154" rel="noopener" target="_blank">http://resolver.sub.uni-goettingen.de/purl?PPN626808154</a> [08.08.2012].
[Anonymus]: No Title, in: Politisches Journal 2 (1789), eighth&#160;part, August 1789, pp.&#160;901&#8211;921.
[Anonymus]: Ueber Voltairens Vorhersagung der franz&#246;sischen Revoluzion, in: Neues Deutsches Museum 1 (1789), Sechstes St&#252;ck, December 1789, pp. 627&#8211;638, online: <a data-class="external-link" href="http://www.ub.uni-bielefeld.de/diglib/aufkl/neudeumus/neudeumus.htm" rel="noopener" target="_blank">http://www.ub.uni-bielefeld.de/diglib/aufkl/neudeumus/neudeumus.htm</a> [08.08.2012].
Archenholtz, Johann Wilhelm von: Ein paar Worte &#252;ber die Concurrenz der Journalisten, in: Minerva: Ein Journal historischen und politischen Inhalts 2 (1795), pp. 562&#8211;566, online: <a data-class="external-link" href="http://www.ub.uni-bielefeld.de/diglib/aufkl/minerva/minerva.htm" rel="noopener" target="_blank">http://www.ub.uni-bielefeld.de/diglib/aufkl/minerva/minerva.htm</a> [08.08.2012].
Archenholtz, Johann Wilhelm von: Wer darf in Deutschland franz&#246;sische Zeitungen lesen?, in: Minerva: Ein Journal historischen und politischen Inhalts 3 (1794), pp. 161&#8211;167, online: <a data-class="external-link" href="http://www.ub.uni-bielefeld.de/diglib/aufkl/minerva/minerva.htm" rel="noopener" target="_blank">http://www.ub.uni-bielefeld.de/diglib/aufkl/minerva/minerva.htm</a> [08.08.2012].
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Buri, Ernst Karl Ludwig Isenburg von: Die Stimme des Volkes oder die Zerst&#246;rung der Bastille, Neuwied 1791.
Campe, Joachim Heinrich: Zweiter Brief aus Paris, w&#228;hrend der Revolution geschrieben, in: Braunschweigisches Journal 3 (1789), Elftes St&#252;ck, November 1789, pp.&#160;257&#8211;319, online: <a data-class="external-link" href="http://www.ub.uni-bielefeld.de/diglib/aufkl/brajou/brajou.htm" rel="noopener" target="_blank">http://www.ub.uni-bielefeld.de/diglib/aufkl/brajou/brajou.htm</a> [08.08.2012].
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Charpentier: Beitr&#228;ge zur Geschichte der Bastille: in Ausz&#252;gen und Abschriften einiger merkw&#252;rdigen und authentischen Papiere, die bei der Eroberung derselben gefunden wurden, three booklets, n.&#160;p. 1789&#8211;1790.
Ebeling, Christoph Daniel: Kantate: Der vierzehnte Julius 1790, in: Johann Heinrich Vo&#223; (ed.): Musen-Almanach f&#252;r 1791, Hamburg 1790, pp. 157&#8211;159 [with music].
Schirach, Gottlob Benedikt von: Die Ermorderung K&#246;nig Ludwigs XVI., in: Politisches Journal 1 (1793), St&#252;ck 2, February 1793, p. 117.
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Schubart, Christian Friedrich Daniel: Werke: in einem Band, collected and with an introduction by Ursula Wertheim, Weimar 1959.
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Vulpius, Christian August: Scenen in Paris, w&#228;hrend und nach der Zerst&#246;rung der Bastille: Nach franz. und engl. Schriften und Kupferstichen, Sammlung 1&#8211;5, Leipzig 1790&#8211;1791.
Zschokke, Heinrich: Ausz&#252;ge aus Briefen eines Norddeutschen an einen Freund in Z. geschrieben aus Paris im April 1796, in: Der neue Teutsche Merkur 2 (1796), 6. St&#252;ck, June 1796, pp. 147&#8211;173, online: <a data-class="external-link" href="http://www.ub.uni-bielefeld.de/diglib/aufkl/neuteutmerk/neuteutmerk.htm" rel="noopener" target="_blank">http://www.ub.uni-bielefeld.de/diglib/aufkl/neuteutmerk/neuteutmerk.htm</a> [08.08.2012].
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Reichardt, Rolf: Probleme des kulturellen Transfers der Franz&#246;sischen Revolution in der deutschen Publizistik 1789&#8211;1799, in: Holger B&#246;ning (ed.): Franz&#246;sische Revolution und deutsche &#214;ffentlichkeit: Wandlungen in Presse und Alltagskultur am Ende des 18. Jahrhunderts, M&#252;nchen 1992, pp. 91&#8211;146.
Reichardt, Rolf: Franz&#246;sische Revolutionskultur in Mainz 1792&#8211;1801, in: Klaus Behrens (ed.): Die Publizistik der Mainzer Jakobiner und ihrer Gegner: Revolution&#228;re und gegenrevolution&#228;re Proklamationen und Flugschriften aus der Zeit der Mainzer Republik (1792/93): Catalogue to the exhibition by the city of Mainz 14 March to 18 April 1993, Mainz 1993, pp. 11&#8211;51.
Reichardt, Rolf / Kohle, Hubertus: Visualizing the Revolution: Politics and the Pictorial Arts in Late Eighteenth-Century France, London 2008.
R&#233;tat, Pierre (ed.): La R&#233;volution du Journal, 1788&#8211;1794, Paris 1989.
Rieber, Horst: Liberaler Gedanke und Franz&#246;sische Revolution im Spiegel der Reichsst&#228;dte Augsburg und Ulm, unpublished dissertation, T&#252;bingen 1969.
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Schneider, Herbert: Der Formen- und Funktionswandel in den Chansons und Hymnen der Franz&#246;sischen Revolution, in: Reinhart Koselleck et al. (eds.): Die Franz&#246;sische Revolution als Bruch des gesellschaftlichen Bewu&#223;tseins, Munich 1988, pp. 421&#8211;478.
Schlieben-Lange, Brigitte: Das &#220;bersetzungsb&#252;ro Dugas (1791/92), in: Rolf Kloepfer (ed.): Bildung und Ausbildung in der Romania, Munich 1979, vol. 1, pp. 513&#8211;526.
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Welke, Martin: Gemeinsame Lekt&#252;re und fr&#252;he Formen von Gruppenbildungen im 17. und 18. Jahrhundert, in: Otto Dann (ed.): Lesegesellschaften und b&#252;rgerliche Emanzipation: Ein europ&#228;ischer Vergleich, M&#252;nchen 1981, pp. 29&#8211;53.
<h3>Notes</h3>
<ol></ol>
<ol id="InsertNote_NoteList" type="1">
<li id="InsertNoteID_0"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_0_marker1">^</a> Reichardt, Plurimediale Kommunikation 2008.</li>
<li id="InsertNoteID_2"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_2_marker3">^</a> H&#233;brard, La R&#233;volution 1989; L&#252;sebrink / Reichardt, "Colporter la R&#233;volution" 1996, pp. 77&#8211;80.</li>
<li id="InsertNoteID_4"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_4_marker5">^</a> Elyada, Presse populaire 1991.</li>
<li id="InsertNoteID_6"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_6_marker7">^</a> Gough, The Newspaper Press 1988; R&#233;tat, La R&#233;volution 1989; Popkin, Revolutionary News 1990; Chisick, The Press 1991.</li>
<li id="InsertNoteID_8"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_8_marker9">^</a> Vogel, Die Pariser P&#232;re Duchesne-Zeitungen 2001.</li>
<li id="InsertNoteID_10"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_10_marker11">^</a> "Busts, engravings, paintings, libraries, clowns, puppeteers, jugglers show up in all urban areas, and have a larger or smaller throng of admirers and critics gathered around them. Even melodies are sold and presented to the buyers' ears", transl. by C.R. (Zschokke, Ausz&#252;ge aus Briefen 1796, p. 171).</li>
<li id="InsertNoteID_12"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_12_marker13">^</a> L&#252;sebrink / Reichardt, "Colporter la R&#233;volution" 1996; Schneider, Der Formen- und Funktionswandel 1988; Mason, Singing the French Revolution 1996; Reichardt, "Macht ein solches Bild nicht einen unausl&#246;schlichen Eindruck?" 2005.</li>
<li id="InsertNoteID_14"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_14_marker15">^</a> Herding / Reichardt, Die Bildpublizistik 1989.</li>
<li id="InsertNoteID_16"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_16_marker17">^</a> Reichardt / Kohle, Visualizing the Revolution 2008, pp. 35&#8211;90.</li>
<li id="InsertNoteID_18"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_18_marker19">^</a> Boyer-Brun, Histoire des caricatures 1792, p. 10.</li>
<li id="InsertNoteID_20"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_20_marker21">^</a> "Germany had been inundated with enough writings about it to induce nausea [...] Like an electric shock emanating from Paris, it affected every nation, its spirit spreading all the way to Dalmatia. Even a people like the Romans, who were so jaded they seemed to have lost any notion of liberty, were excited and felt an urge for a moment to improve their lot. Nowhere was the impact felt more strongly, however, than in Germany. The shock wave hit even the smallest German villages and, as a result of the discontent most people experienced, induced a tendency to rebel. There were probably few states in Germany where no kind of unrest developed", transl. by C.R. ([Anonymus], Ueber Voltairens Vorhersagung 1789, pp. 636f.)</li>
<li id="InsertNoteID_1"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_1_marker2">^</a> Claeys (ed.), Political Writings 1995.</li>
<li id="InsertNoteID_3"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_3_marker4">^</a> Sch&#252;rer, The Storming of the Bastille 2005.</li>
<li id="InsertNoteID_5"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_5_marker6">^</a> Taylor, The French Revolution 2000, pp. 42&#8211;51.</li>
<li id="InsertNoteID_7"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_7_marker8">^</a> "It was noted several months ago in our journal that the [French] nation is no longer singing. On the 12th of July, the nation began to cry out, its cries causing the walls of the Bastille, which were probably stronger than those of Jericho, to crumble. Our age is full of wonders. The religious ones have ended. Series of political miracles occur... The days from the 12th to the 15th of July belong to the most remarkable in the history of mankind. [...]The explosion was sudden. But the fire had been smouldering for many years. The revolution in Paris in fact has an old origin. Its groundwork was especially laid 3 years earlier. The revolution that started to take root in peoples' minds at that time was then set into motion on the 14th of July", transl. by C.R. (Schirach, Wie Paris 1789).</li>
<li id="InsertNoteID_9"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_9_marker10">^</a> Reichardt, Bastillen in Deutschland? 1988, pp. 422&#8211;454.</li>
<li id="InsertNoteID_11"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_11_marker12">^</a> Grosser, Reiseziel Frankreich 1989, pp. 183&#8211;220.</li>
<li id="InsertNoteID_13"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_13_marker14">^</a> Welke, Gemeinsame Lekt&#252;re 1981, p. 30.</li>
<li id="InsertNoteID_15"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_15_marker16">^</a> Reichardt, Die Bildpublizistik zur "Bastille" 1989, pp. 23&#8211;27.</li>
<li id="InsertNoteID_17"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_17_marker18">^</a> Campe, Zweiter Brief aus Paris, p. 288.</li>
<li id="InsertNoteID_19"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_19_marker20">^</a> Charpentier, Die entlarvte Bastille 1789&#8211;1791.</li>
<li id="InsertNoteID_21"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_21_marker22">^</a> Charpentier, Die enth&#252;llte Bastille 1789&#8211;1791, 7. Lieferung.</li>
<li id="InsertNoteID_23"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_23_marker24">^</a> Charpentier, Beitr&#228;ge zur Geschichte der Bastille 1789&#8211;1790.</li>
<li id="InsertNoteID_25"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_25_marker26">^</a> [Anonymus], Merkw&#252;rdige Inquisitionsakten 1790.</li>
<li id="InsertNoteID_27"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_27_marker28">^</a> [Anonymus], Merkw&#252;rdige in dem Archive der Bastille wirklich gefundene Inquisitions-Akten 1790.</li>
<li id="InsertNoteID_29"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_29_marker30">^</a> Reichardt, Bastillen in Deutschland? 1988, p. 428.</li>
<li id="InsertNoteID_31"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_31_marker32">^</a> "In the last ten weeks, there have appeared in France and England over 60 satires, 6 confessions, 8 reports, 34 narratives, 80 engravings and several thousand epigrams with and without teeth on the occasion of the destruction of the Bastille, the escape of a few nobles from the realm, Necker's return, the events that are at least anticipated, etc. etc.", transl. by C.R. (Vulpius, Scenen in Paris 1790, Sammlung 1, p. 3).</li>
<li id="InsertNoteID_33"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_33_marker34">^</a> Buri, Die Bastille 1790; Buri, Die Stimme des Volkes 1791.</li>
<li id="InsertNoteID_35"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_35_marker36">^</a> Ebeling, Kantate 1790, pp. 157&#8211;159, with music; see also L&#252;sebrink / Reichardt, Die Bastille 1990, p. 216f.</li>
<li id="InsertNoteID_37"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_37_marker38">^</a> Reichardt, Probleme des kulturellen Transfers 1992, pp. 118&#8211;128.</li>
<li id="InsertNoteID_22"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_22_marker23">^</a> "He stretched both of his hands to them [his liberators], and implored them to make his suffering brief. A grenadier called out to him: 'Fear nothing, good man, we do not want to kill you. We want to save you. Your executioner is dead. You shall live.' The grenadier carried him out in his arms. The open air made him faint at first, but when he came to himself again, he laughed, asked questions and spoke like a child. He had been imprisoned for thirty years", transl. by C.R. (Schulz, Geschichte der gro&#223;en Revolution 1989, p. 97f. [emphasis in the original]). See L&#252;sebrink/Reichardt, Die Bastille 1990, pp. 122&#8211;128.</li>
<li id="InsertNoteID_24"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_24_marker25">^</a> Reichardt, L'imagerie r&#233;volutionnaire 2009, pp. 112&#8211;124.</li>
<li id="InsertNoteID_42"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_42_marker43">^</a> &#8222;Everyone thus flocked to the street St. Antoine to enjoy the enthralling sight of the destruction of the dreaded Bastille, where so many innocent people had been victimized by private vendettas and the thirst for revenge. Although 2,000 craftsmen started work at 3 o'clock in the morning on the 16th, as far as the public were concerned, they couldn't complete it fast enough. And as just Louis XVI entered Paris at one end of the city, the number of workers engaged in tearing down this odious monument of despotism was increased by 500 men. Whenever a stone falls, the people clap their hands, and cry out loud: bravo, and now another one! Work quickly, we'll pay you cash; and the workers are offered lots of refreshments&#8221;, transl. by C.R. (Erlanger Real-Zeitung, July 31, 1789).]</li>
<li id="InsertNoteID_26"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_26_marker27">^</a> Cited after Schubart, Werke 1959, p. 327. Schubert first published the three-verse poem in his Vaterlandschronik no. 69 from autumn 1789 and later added to the title: "die dem Verfasser von Paris geschickt wurde" ("which was sent to the author from Paris").</li>
<li id="InsertNoteID_28"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_28_marker29">^</a> Reichardt, Kokarden 2009.</li>
<li id="InsertNoteID_30"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_30_marker31">^</a> Dumont, Die Mainzer Republik 1992.</li>
<li id="InsertNoteID_32"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_32_marker33">^</a> Neugebauer-W&#246;lk, Der Bauernkalender 1985.</li>
<li id="InsertNoteID_34"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_34_marker35">^</a> Behrens, Die Schriften der Mainzer Jakobiner 1994; Reichardt, Franz&#246;sische Revolutionskultur 1993; Reichhardt, "Im Namen der Frankenrepublik" 1994.</li>
<li id="InsertNoteID_36"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_36_marker37">^</a> Reichardt, Zwischen Deutschland und Frankreich 1994, pp. 235f.</li>
<li id="InsertNoteID_38"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_38_marker39">^</a> Dumont, "Singen will ich von Klubbisten" 1993.</li>
<li id="InsertNoteID_40"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_40_marker41">^</a> Schoch-Joswig, "Da flamt die gr&#228;uliche Bastille" 1989; Danelzik-Br&#252;ggemann, Ereignisse und Bilder 1996.</li>
<li id="InsertNoteID_39"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_39_marker40">^</a> Schirach, Die Ermorderung 1793.</li>
<li id="InsertNoteID_41"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_41_marker42">^</a> Arasse / Rousseau-Lagarde, La Guillotine 1988; Wagner, Die Rezeption des "K&#246;nigsmordes" 1997; Pelzer, Die Wiederkehr des girondistischen Helden 1998, pp. 161&#8211;170.</li>
<li id="InsertNoteID_43"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_43_marker44">^</a> Reichardt / Kohle, Visualizing the Revolution 2008, pp. 82&#8211;84.</li>
<li id="InsertNoteID_45"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_45_marker46">^</a> Rieber, Liberaler Gedanke 1969, pp. 85&#8211;87.</li>
<li id="InsertNoteID_47"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_47_marker48">^</a> "The desire of German writers and booksellers to Germanize foreign journals ... has now reached a peak with respect to France. The great, always persistent events there, the resurrected press freedoms in Paris and the fact that the French literary productions are not books, but almost completely brochures and small dailies, encourage some game publishers to take up this hunt, which they would perhaps avoid in the case of entire books and other works", transl. by C.R. (Archenholtz, Worte 1795, p. 562).</li>
<li id="InsertNoteID_49"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_49_marker50">^</a> Reichardt, "Freym&#252;thigkeit, doch kein Sans-C&#252;lotismus..." 1988; Pelzer, Die Wiederkehr des girondistischen Helden 1998, pp. 141&#8211;161 and 327&#8211;486.</li>
<li id="InsertNoteID_51"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_51_marker52">^</a> Schlieben-Lange, Das &#220;bersetzungsb&#252;ro Dugas 1979; Lachenicht, Information und Propaganda 2004.</li>
<li id="InsertNoteID_53"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_53_marker54">^</a> Reichardt, "Freym&#252;thigkeit, doch kein Sans-C&#252;lotismus..." 1988; Nohr, Von Amberg bis Zweibr&#252;cken 1997, p. 366.</li>
<li id="InsertNoteID_55"><a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event#InsertNoteID_55_marker56">^</a> "One of the many consequences that the French Revolution has had in Germany is the large amount of newly emerged political pundits, page printers and bookmakers, who draw upon the knowledge of newspapers (even the most deplorable ones from southern Germany), and then immediately take pen in hand in order to communicate their opinions about the great events of the day to the world", transl. by C.R. (Archenholtz, Deutschland 1794, p. 163).</li>
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			&#220;bersetzt von:Translated by: Christopher Reid 
			Fachherausgeber:Editor: Wolfgang Schmale

Redaktion:Copy Editor: Christina M&#252;ller

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 <a href="https://www.ieg-ego.eu/en/threads/european-media/european-media-events/rolf-reichardt-the-french-revolution-as-a-european-media-event">French Revolution</a> 
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			<h3 id="indices">Indices</h3>
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			DDC: <a href="/search?DDC=070&amp;portal_type=Site&amp;Title=freigabe" class="ddc"> 070</a> <a class="de" href="http://deweysearchde.pansoft.de/webdeweysearch/executeSearch.html?query=070">[Info <img class="external_link_icon" src="/_theme/img/external_link_icon.png" alt="external link"> ]</a> <a class="en" href="http://deweysearchde.pansoft.de/webdeweysearch/executeSearch.html?query=070">[Info <img class="external_link_icon" src="/_theme/img/external_link_icon.png" alt="external link"> ]</a><a href="/search?DDC=302&amp;portal_type=Site&amp;Title=freigabe" class="ddc"> 302</a> <a class="de" href="http://deweysearchde.pansoft.de/webdeweysearch/executeSearch.html?query=302">[Info <img class="external_link_icon" src="/_theme/img/external_link_icon.png" alt="external link"> ]</a> <a class="en" href="http://deweysearchde.pansoft.de/webdeweysearch/executeSearch.html?query=302">[Info <img class="external_link_icon" src="/_theme/img/external_link_icon.png" alt="external link"> ]</a><a href="/search?DDC=303&amp;portal_type=Site&amp;Title=freigabe" class="ddc"> 303</a> <a class="de" href="http://deweysearchde.pansoft.de/webdeweysearch/executeSearch.html?query=303">[Info <img class="external_link_icon" src="/_theme/img/external_link_icon.png" alt="external link"> ]</a> <a class="en" href="http://deweysearchde.pansoft.de/webdeweysearch/executeSearch.html?query=303">[Info <img class="external_link_icon" src="/_theme/img/external_link_icon.png" alt="external link"> ]</a><a href="/search?DDC=321&amp;portal_type=Site&amp;Title=freigabe" class="ddc"> 321</a> <a class="de" href="http://deweysearchde.pansoft.de/webdeweysearch/executeSearch.html?query=321">[Info <img class="external_link_icon" src="/_theme/img/external_link_icon.png" alt="external link"> ]</a> <a class="en" href="http://deweysearchde.pansoft.de/webdeweysearch/executeSearch.html?query=321">[Info <img class="external_link_icon" src="/_theme/img/external_link_icon.png" alt="external link"> ]</a><a href="/search?DDC=341&amp;portal_type=Site&amp;Title=freigabe" class="ddc"> 341</a> <a class="de" href="http://deweysearchde.pansoft.de/webdeweysearch/executeSearch.html?query=341">[Info <img class="external_link_icon" src="/_theme/img/external_link_icon.png" alt="external link"> ]</a> <a class="en" href="http://deweysearchde.pansoft.de/webdeweysearch/executeSearch.html?query=341">[Info <img class="external_link_icon" src="/_theme/img/external_link_icon.png" alt="external link"> ]</a><a href="/search?DDC=355&amp;portal_type=Site&amp;Title=freigabe" class="ddc"> 355</a> <a class="de" href="http://deweysearchde.pansoft.de/webdeweysearch/executeSearch.html?query=355">[Info <img class="external_link_icon" src="/_theme/img/external_link_icon.png" alt="external link"> ]</a> <a class="en" href="http://deweysearchde.pansoft.de/webdeweysearch/executeSearch.html?query=355">[Info <img class="external_link_icon" src="/_theme/img/external_link_icon.png" alt="external link"> ]</a><a href="/search?DDC=944&amp;portal_type=Site&amp;Title=freigabe" class="ddc"> 944</a> <a class="de" href="http://deweysearchde.pansoft.de/webdeweysearch/executeSearch.html?query=944">[Info <img class="external_link_icon" src="/_theme/img/external_link_icon.png" alt="external link"> ]</a> <a class="en" href="http://deweysearchde.pansoft.de/webdeweysearch/executeSearch.html?query=944">[Info <img class="external_link_icon" src="/_theme/img/external_link_icon.png" alt="external link"> ]</a>
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		<h3>ZitierempfehlungCitation</h3>
		
			Reichardt, Rolf: The French Revolution as a European Media Event, in:
			Europ&#228;ische Geschichte Online (EGO),
			hg. vom Leibniz-Institut f&#252;r Europ&#228;ische Geschichte (IEG), Mainz 
			European History Online (EGO),
			published by the Leibniz Institute of European History (IEG), Mainz 
			2012-08-27.
			URL: <a id="primaryurl" href="">https://www.ieg-ego.eu/reichardtr-2010-en</a>
			URN: <a id="primaryurn" href="">urn:nbn:de:0159-2012082703</a> [JJJJ-MM-TT][YYYY-MM-DD].
		
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